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Following his return, he presented his colour photos shot in Tibet (C3, Budapest, 1997), and his handwritten, calligraphic, artificial silk scroll pictures, which incorporated the experiences of his trip (Studio Gallery, Budapest, 1997). After a long hiatus, he exhibited glass, paper, and textile works in 2005 at the Liget Gallery. His last exhibition to date was held in 2006 in the Herman Hall of the Feszek Gallery. They became evermore personal and, thus, more difficult to decode, as entries in a disintegrating notebook, falling apart at the seams.
This, in turn, results in a unique and sensual conceptualism (sometimes reminiscent of Arte Povera), made of temporally superimposed and connected layers of materials, genres, themes and meanings.